About.

Close-up of a hand holding a smartphone with a matte dark case and a minimalist finger grip accessory

Alexander Brand is a Berlin-based, award-winning editor and creative director, shaped by a childhood spanning Germany, California, and England. Represented by BoldBreed in Germany, and available worldwide.

3D-rendered futuristic flower-like object with textured dark petals and a soft white core on a white background
Close-up of a hand holding a smartphone with a matte dark case and a minimalist finger grip accessory

Alexander Brand is a Berlin-based, award-winning editor and creative director, shaped by a childhood spanning Germany, California, and England. Represented by BoldBreed in Germany, and available worldwide.

3D-rendered futuristic flower-like object with textured dark petals and a soft white core on a white background
Close-up of a hand holding a smartphone with a matte dark case and a minimalist finger grip accessory

Alexander Brand is a Berlin-based, award-winning editor and creative director, shaped by a childhood spanning Germany, California, and England. Represented by BoldBreed in Germany, and available worldwide.

3D-rendered futuristic flower-like object with textured dark petals and a soft white core on a white background

Questions
Straight Answers.

Where do you work, remote or on set?

I can work from anywhere. Most post happens remotely, but I travel for shoots whenever it helps. A lot of the time, being on set with a QTake workflow is a relief for everyone involved, because we all know immediately whether something works or not.

What software do you work with?

Primarily Adobe Premiere Pro, After Effects and DaVinci Resolve in combination with Magnific AI for AI-assisted work.

What stage do you like to come in at?

As early as possible. I often edit previs or animatics that help develop transitions and give the crew on set a clear sense of what we're trying to achieve.

Are you more of an editor or a director?

I'm an editor at heart, but the line blurs more than people think. I've directed a handful of pieces, and even in the edit I'm often shaping creative direction. How far I lean into that depends on the project and the director I'm working with.

How do I book you?

Either through my agency Boldbreed, or you can just shoot me an email.

Where do you work, remote or on set?

I can work from anywhere. Most post happens remotely, but I travel for shoots whenever it helps. A lot of the time, being on set with a QTake workflow is a relief for everyone involved, because we all know immediately whether something works or not.

What software do you work with?

Primarily Adobe Premiere Pro, After Effects and DaVinci Resolve in combination with Magnific AI for AI-assisted work.

What stage do you like to come in at?

As early as possible. I often edit previs or animatics that help develop transitions and give the crew on set a clear sense of what we're trying to achieve.

Are you more of an editor or a director?

I'm an editor at heart, but the line blurs more than people think. I've directed a handful of pieces, and even in the edit I'm often shaping creative direction. How far I lean into that depends on the project and the director I'm working with.

How do I book you?

Either through my agency Boldbreed, or you can just shoot me an email.