Deutsche Bahn

This was my first fully CG-driven edit, shot entirely in front of green screens — basically a crash course in everything I thought I knew about post production. Cutting a spot where half the world doesn't exist yet forces you to think completely differently, and I came out the other side with a much deeper appreciation for the VFX pipeline. I got to really live inside the process this time: animatics, previs, postvis, all the way through final compositing. Seeing how each stage feeds the next, and how much a good edit can unlock (or break) for the VFX team, was genuinely eye-opening. The possibilities once you're untethered from what the camera captured are kind of endless. A huge learning project. Looking at green screen plates very differently now.